WHAT'S NEW IN THE GOWN GALLERY?

The BEATRIX dress is a 2011 addition to the Dioresque Collection.  With a bodice of embroidered organza, the full underskirt and five layers of tulle skirt are cut on the bias with the top layer gathered.   The waist is cinched by a silk satin ribbon belt accented by a row of white silk hydrangeas.   This dress goes great with the TRILBY fascinator out of embroidered organza and Venise lace.  Available through Amy-Jo Tatum Bridal

WHAT'S NEW IN THE GOWN GALLERY?

The BEATRIX dress is a 2011 addition to the Dioresque Collection.  With a bodice of embroidered organza, the full underskirt and five layers of tulle skirt are cut on the bias with the top layer gathered.   The waist is cinched by a silk satin ribbon belt accented by a row of white silk hydrangeas.   This dress goes great with the TRILBY fascinator out of embroidered organza and Venise lace.  Available through Amy-Jo Tatum Bridal

WHAT'S NEW IN THE GOWN GALLERY?

 

Make-up by Pretty Girl

 Meet YOLANDA.  Inspired by an old MGM musical, this dress is layered in yards of tulle and crinoline. The bodice is a close fit covered in Chantilly lace appliques with an overlay of shirred tulle.  The rosy tint of the tulle is the result of a tea dye.  I cinched the waist with a gray satin belt.  This dress is available via special order through Amy-Jo Tatum Bridal

 

 

WHAT'S NEW IN THE GOWN GALLERY?

 

Make-up by Pretty Girl

 Meet YOLANDA.  Inspired by an old MGM musical, this dress is layered in yards of tulle and crinoline. The bodice is a close fit covered in Chantilly lace appliques with an overlay of shirred tulle.  The rosy tint of the tulle is the result of a tea dye.  I cinched the waist with a gray satin belt.  This dress is available via special order through Amy-Jo Tatum Bridal

 

 

WHAT'S NEW IN THE GOWN GALLERY?

Meet 'Madelyn' the newest addition to the Dioresque collection. I set out to create this dress as a near perfect hourglass as I could get.  The bodice is made up of Chantilly lace under shirred tulle atop a tea-dyed tulle gathered skirt. And of course, loads of volume underneath.  Because this dress has an ecru underlining, there's a cast of pink, and beige undertones.  The waist is cinched with a gray satin tie belt.  

The back closure is a tape of hooks and eyes (dyed to match), a bit outside the box from the traditional row of buttons down the back . . . .

WHAT'S NEW IN THE GOWN GALLERY?

Meet 'Madelyn' the newest addition to the Dioresque collection. I set out to create this dress as a near perfect hourglass as I could get.  The bodice is made up of Chantilly lace under shirred tulle atop a tea-dyed tulle gathered skirt. And of course, loads of volume underneath.  Because this dress has an ecru underlining, there's a cast of pink, and beige undertones.  The waist is cinched with a gray satin tie belt.  

The back closure is a tape of hooks and eyes (dyed to match), a bit outside the box from the traditional row of buttons down the back . . . .

SALUTE TO CHRISTIAN DIOR

Christian Dior revolutionized fashion in 1947 with his “New Look”, a 180 turn out of the gray days of fashion following WWII.  Once restrictions lifted on fabric post war, Dior had the freedom to introduce the hourglass silhouette, showing off a cinched waist atop skirts flowing in yards of silks and layers of crinoline. Recently this defined  waist has made a come back and brides are loving it.

 A ball gown can be as romantic a confection as those seen in the corps de ballet, flowing in swirls of white tulle like the gowns above  Thus, sweeping skirts equal sweeping entrances especially awesome on brides who know how to work their strut.



Chantilly lace under shirred tulle makes for a delicate and gossamer look on this bodice.  The waist is cinched with a gray satin belt over  yards of tulle skirt

More Chantilly lace, tulle and shirring, this dress has the added gauntlets.  White rose petals are dappled over the full skirt . . . 

Ivory lace and charmeuse evening gown silhouette has a lace cummerbund and added lace side drape.The pancake hat with tulle veil is one of the signatures of Doir era head wear

Gowns and head wear by Amy-Jo Tatum Bridal Couture

Make-up by Pretty Girl Make up

SALUTE TO CHRISTIAN DIOR

Christian Dior revolutionized fashion in 1947 with his “New Look”, a 180 turn out of the gray days of fashion following WWII.  Once restrictions lifted on fabric post war, Dior had the freedom to introduce the hourglass silhouette, showing off a cinched waist atop skirts flowing in yards of silks and layers of crinoline. Recently this defined  waist has made a come back and brides are loving it.

 A ball gown can be as romantic a confection as those seen in the corps de ballet, flowing in swirls of white tulle like the gowns above  Thus, sweeping skirts equal sweeping entrances especially awesome on brides who know how to work their strut.



Chantilly lace under shirred tulle makes for a delicate and gossamer look on this bodice.  The waist is cinched with a gray satin belt over  yards of tulle skirt

More Chantilly lace, tulle and shirring, this dress has the added gauntlets.  White rose petals are dappled over the full skirt . . . 

Ivory lace and charmeuse evening gown silhouette has a lace cummerbund and added lace side drape.The pancake hat with tulle veil is one of the signatures of Doir era head wear

Gowns and head wear by Amy-Jo Tatum Bridal Couture

Make-up by Pretty Girl Make up

WHAT'S NEW IN THE GOWN GALLERY?

Finally!  The first piece of 2011's Dioresque series to make it off the work table. Chantilly lace under shirred tulle on the bodice gives an ethereal, gossamer look. The bodice sculpts the wearer's body by way of inside boning and a few other materials I slipped in there to give it structure . . .

The over skirt is 10 yards of tea-dyed tulle over more layers of tulle and ivory taffeta.  White rose petals are dappled all over the skirt. 

My signature row of buttons lines the back, finished off with three ivory silk roses . . . . As you can see, the final product veered a wee bit off the original sketch.  Don't worry though, the sweetheart neck with roses over the shoulder is coming soon . . .

WHAT'S NEW IN THE GOWN GALLERY?

Finally!  The first piece of 2011's Dioresque series to make it off the work table. Chantilly lace under shirred tulle on the bodice gives an ethereal, gossamer look. The bodice sculpts the wearer's body by way of inside boning and a few other materials I slipped in there to give it structure . . .

The over skirt is 10 yards of tea-dyed tulle over more layers of tulle and ivory taffeta.  White rose petals are dappled all over the skirt. 

My signature row of buttons lines the back, finished off with three ivory silk roses . . . . As you can see, the final product veered a wee bit off the original sketch.  Don't worry though, the sweetheart neck with roses over the shoulder is coming soon . . .

THE BOMBSHELL BRIDE: GOING FOR A SEXY LOOK ON YOUR WEDDING DAY

CREDITS

Photography by S1 Studio

Headpieces and gowns: Amy-Jo Tatum Bridal Couture

Make-up Artist: Nida Nafees 

Hair: Dana Faulkner

Flowers: Victoria's Florals and Events

Models: Shauna Yonan

Corinne Doherty

Olay! A mantilla paired up with a lace dress to match can say old world traditional and sexy all at once.

The Vintage Chic Bombshell-Above:A strapless silk dupion and chiffon gown topped off with a Venise-lace trimmed pancake hat circa 1940s with cage veil.

Below: A Chanel neck treatment of multiple strands of pearls gives this Silk dupioni dress a real 1940s look. Added touches: the point d'espirit and hand rolled silk rose headpiece.

Another vintage classic, the silk taffeta sheath above is accented with silk flowers, dappled petals on the train and a Chantilly lace bodice.

What could go more bridal than a classic ballgown silhouette? Layers of white cotton tulle skirt over yards of crinoline beneath. Chantilly lace bodiice backed with pastel blue satin makes the floral motifs on this bodice really pop . . .

Classic and modern: A traditional silk and lace sheath with a sleek and contemporary down do. Why go for a veil when your hair could be your crowning glory . . . ?

Boho's back.  The floral head wreath, lace and tulle conjure that waif look reminiscent of A Mid-Summer Night's Dream, fairy tales, and wood nymphs . . .

Be a 1950s bombshell in this organza and lace hourglass with a halter and generous splash of petticoat

Why not add some edge to your bridal look with a Chantilly lace jabot and jaunty gaucho hat? Black and white polka dots really cinch the look . . . .

The right accessories always offer the perfect finish.  Glam girls love the sparkle of silver and gold right down to the toes . . . .

THE BOMBSHELL BRIDE: GOING FOR A SEXY LOOK ON YOUR WEDDING DAY

CREDITS

Photography by S1 Studio

Headpieces and gowns: Amy-Jo Tatum Bridal Couture

Make-up Artist: Nida Nafees 

Hair: Dana Faulkner

Flowers: Victoria's Florals and Events

Models: Shauna Yonan

Corinne Doherty

Olay! A mantilla paired up with a lace dress to match can say old world traditional and sexy all at once.

The Vintage Chic Bombshell-Above:A strapless silk dupion and chiffon gown topped off with a Venise-lace trimmed pancake hat circa 1940s with cage veil.

Below: A Chanel neck treatment of multiple strands of pearls gives this Silk dupioni dress a real 1940s look. Added touches: the point d'espirit and hand rolled silk rose headpiece.

Another vintage classic, the silk taffeta sheath above is accented with silk flowers, dappled petals on the train and a Chantilly lace bodice.

What could go more bridal than a classic ballgown silhouette? Layers of white cotton tulle skirt over yards of crinoline beneath. Chantilly lace bodiice backed with pastel blue satin makes the floral motifs on this bodice really pop . . .

Classic and modern: A traditional silk and lace sheath with a sleek and contemporary down do. Why go for a veil when your hair could be your crowning glory . . . ?

Boho's back.  The floral head wreath, lace and tulle conjure that waif look reminiscent of A Mid-Summer Night's Dream, fairy tales, and wood nymphs . . .

Be a 1950s bombshell in this organza and lace hourglass with a halter and generous splash of petticoat

Why not add some edge to your bridal look with a Chantilly lace jabot and jaunty gaucho hat? Black and white polka dots really cinch the look . . . .

The right accessories always offer the perfect finish.  Glam girls love the sparkle of silver and gold right down to the toes . . . .