Showing posts with label designer wedding gowns. Show all posts
Showing posts with label designer wedding gowns. Show all posts

SOMEWHERE IN TIME


CREDITS


Dresses and Headpieces: Amy-Jo Tatum Bridal Couture






click photos to enlarge



Inspired by dreams past, reinventing the mood of yesterday's chic comes as a delight when working with fine silks and laces like these. The newest addition to 'Dioresque' my capsule collection of 1950s creations, the above dress is aptly named, 'Aurora' (for the aurora color accents). The lace is backed with a blue/gray China silk. With the additional peach accents it looks just like a muted pastel sunset. The skirt is four layers of tulle and there's a separate slip of crinoline and tulle. Detailed touches include a row of buttons accenting the back and it is all pulled together with a blue and peach sash of China Silk. The headpiece is coral-peachy handmade silk florals attached to a tulle bow.



click photos to enlarge
Above and below: Silk dupion sheath with embossed chiffon back inset and tie-train combination. The parasols above and below are vintage, deacquisitioned from The Brooklyn Museum of Art and available through Priscilla's Parasols.
click photos to enlarge

click photos to enlarge

The 'Angelique' gown is 4-ply silk crepe and an assortment of Chantilly laces and embroidered organza making for a delicate costume-inspired look here.
click photos to enlarge

SOMEWHERE IN TIME


CREDITS


Dresses and Headpieces: Amy-Jo Tatum Bridal Couture






click photos to enlarge



Inspired by dreams past, reinventing the mood of yesterday's chic comes as a delight when working with fine silks and laces like these. The newest addition to 'Dioresque' my capsule collection of 1950s creations, the above dress is aptly named, 'Aurora' (for the aurora color accents). The lace is backed with a blue/gray China silk. With the additional peach accents it looks just like a muted pastel sunset. The skirt is four layers of tulle and there's a separate slip of crinoline and tulle. Detailed touches include a row of buttons accenting the back and it is all pulled together with a blue and peach sash of China Silk. The headpiece is coral-peachy handmade silk florals attached to a tulle bow.



click photos to enlarge
Above and below: Silk dupion sheath with embossed chiffon back inset and tie-train combination. The parasols above and below are vintage, deacquisitioned from The Brooklyn Museum of Art and available through Priscilla's Parasols.
click photos to enlarge

click photos to enlarge

The 'Angelique' gown is 4-ply silk crepe and an assortment of Chantilly laces and embroidered organza making for a delicate costume-inspired look here.
click photos to enlarge

WHAT'S NEW IN THE GOWN GALLERY?
























Imagine the formality of an elegant silhouette with all the ease of informal cotton. Here's my 'Daisy' dress in a pure white eyelet. I love this fabric. Every bride who has tried it on says its so comfortable. Audrey Hepburn as Sabrina was my original inspiration for this design. The bateau neckline pictured above was actually renamed after this character from the mid-1950s movie. The rest of the dress is a classic A-line with a to-the-floor skirt held out by layers of petticoat. I topped it off with one of my shorter veils reminiscent of 50s-60s brides.