Showing posts with label wedding gown. Show all posts
Showing posts with label wedding gown. Show all posts

SASHES, BOWS, FLORALS, BELTS AND RIBBONS

Photo By S1 Studio

There's a wide range of novelty belts, bows, sashes, trims and ribbons introduced into bridalwear lately. Until the 1980s, bridal was a field of little experimentation and typically a bridal gown was pretty but looked somwhat the same as the next gown. If you were a modernist and wanted to express yourself in a suit instead of an A-line, forget finding what you wanted on the racks. Besides, your mom might have freaked out at the prospect. All that's been relaxed thanks to a generation of designers and brides daring to go their own way. By way of ribbons, trims and sashes, designers have introduced color and different textures into the mix . The above gown is sashed in back with silk gauze, a fabric so light, it could be mistaken for angel wings.


Touches of the spectrum here. Blues and peaches merge to make up a tie-belt cincing the waist of a full skirt . . .
The best example of a self belt (means made out of the same fabric as the dress). Georgette linen and striped ribbon combine to make up this belt punctuated with a fabric rose.


Gown by Amy-Jo Tatum


Above and below images of The APRIL dress from the Dioresque Collection. Gray satin tie belt is embellished in front by a fabric rose. Ties in the back falling the length of the dress . . .

Amy-Jo Tatum Bridal
Gown by Amy-Jo Tatum
A photo of my own wedding gown above shows that I put all the bells and whistles on one dress (and actually got away with it, I think). It had a 5 inch sash doubling around the waist and tying into a side-front bow. Pinned to the sash was a giant silk floral and tassel tie. The shoulder was embellished with handrolled silk dupion florals.

SASHES, BOWS, FLORALS, BELTS AND RIBBONS

Photo By S1 Studio

There's a wide range of novelty belts, bows, sashes, trims and ribbons introduced into bridalwear lately. Until the 1980s, bridal was a field of little experimentation and typically a bridal gown was pretty but looked somwhat the same as the next gown. If you were a modernist and wanted to express yourself in a suit instead of an A-line, forget finding what you wanted on the racks. Besides, your mom might have freaked out at the prospect. All that's been relaxed thanks to a generation of designers and brides daring to go their own way. By way of ribbons, trims and sashes, designers have introduced color and different textures into the mix . The above gown is sashed in back with silk gauze, a fabric so light, it could be mistaken for angel wings.


Touches of the spectrum here. Blues and peaches merge to make up a tie-belt cincing the waist of a full skirt . . .
The best example of a self belt (means made out of the same fabric as the dress). Georgette linen and striped ribbon combine to make up this belt punctuated with a fabric rose.


Gown by Amy-Jo Tatum


Above and below images of The APRIL dress from the Dioresque Collection. Gray satin tie belt is embellished in front by a fabric rose. Ties in the back falling the length of the dress . . .

Amy-Jo Tatum Bridal
Gown by Amy-Jo Tatum
A photo of my own wedding gown above shows that I put all the bells and whistles on one dress (and actually got away with it, I think). It had a 5 inch sash doubling around the waist and tying into a side-front bow. Pinned to the sash was a giant silk floral and tassel tie. The shoulder was embellished with handrolled silk dupion florals.

NEW ON ETSY

Meet Fiona! This is an adaption of my evening gown silhouette clients love so much. Incredibly light and airy, it's made out of silk chiffon and lined in china silk (feels sumptuous on). The train is a diaphanous cloud of silk gauze dappled with tiny hand rolled organza florals.




Ordering this gown is a cinch. It can be found on my site, Amy-Jo Tatum Bridal Couture or Etsy. Best to call me 415.258.8204. I'm in The San Francisco Bay Area. I'll send out a good sized swatch of this fabric and linings. . . .

UP AND DOWN: ALL ABOUT TRAINS AND BUSTLES


Back in the Middle Ages when fabric was in short supply, the length of one’s train conveyed a person’s wealth and standing. For Victorians, bustling the train was considered an art form with all kind of intricate floral and lace treatments. Today a gown with a train still suggests formality; typically the longer the train, the more formal the wedding. So what is a train exactly? A train is that extension in the back of the skirt that follows when you move. Read more